<\/p>\n
\u015eair Ruhan Mavruk, son d\u00f6nemde toplumu en \u00e7ok etkileyen olgunun yabanc\u0131la\u015fma oldu\u011funu ifade ederek, \u015fiirlerinde bunun yaratt\u0131\u011f\u0131 sorunlara dikkat \u00e7ekmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 s\u00f6yledi. <\/strong><\/p>\n Ruhan Mavruk, \u00fcretken bir \u015fair. Ge\u00e7ti\u011fimiz g\u00fcnlerde \u201c\u0130ncinmesin K\u0131y\u0131lar\u0131m\u0131z\u201d kitab\u0131 AYSAD Yay\u0131nlar\u0131 taraf\u0131ndan okuyucuya ula\u015ft\u0131r\u0131ld\u0131. B\u00fct\u00fcn eserlerinden yap\u0131lan bir se\u00e7ki olan kitapta Mavruk\u2019un \u015fiir ser\u00fcvenini takip etmek m\u00fcmk\u00fcn. Mavruk\u2019la son kitab\u0131n\u0131n olu\u015fumu, \u015fiirinin bi\u00e7imsel yanlar\u0131 ve i\u00e7eri hakk\u0131nda konu\u015ftuk. Mavruk, yabanc\u0131la\u015fma ve yozla\u015fman\u0131n d\u00fcnyan\u0131n yeni vebas\u0131 oldu\u011funu s\u00f6yledi. <\/strong><\/p>\n \u00a0\u201c\u0130ncinmesin K\u0131y\u0131lar\u0131m\u0131z\u201d adl\u0131 kitab\u0131n\u0131z bir se\u00e7ki olarak kar\u015f\u0131m\u0131za \u00e7\u0131kt\u0131. Y\u0131llara yay\u0131lan bir \u015fiir ser\u00fcveninde\u00a0 se\u00e7mek kolay olmasa gerek, nas\u0131l haz\u0131rlad\u0131\u011f\u0131n\u0131z bu se\u00e7kiyi?<\/strong><\/p>\n Do\u011frusu uzun zamandan beri d\u00fc\u015f\u00fcn\u00fcyordum ve \u00e7ocuklar\u0131m\u0131 birbirinden ay\u0131r\u0131r gibi de zor olmad\u0131. \u00c7\u00fcnk\u00fc ba\u015fka yeni \u015fiirler var ve \u00f6nceden yay\u0131nlanm\u0131\u015f kitaplar\u0131mda bu se\u00e7kiye almad\u0131klar\u0131m da var.Onlardan ba\u015fka se\u00e7kiler olu\u015facak. T\u0131pk\u0131 \u015fiir yazar gibi oldu ,hayat\u0131 ve kitaplar\u0131 do\u011frudan okur gibi\u2026Sonra b\u0131rakt\u0131m duygular\u0131m\u0131n ipini,\u2019\u2019\u0130ncinmesin K\u0131y\u0131lar\u0131m\u0131z\u2019\u2019 \u00e7\u0131kt\u0131 ortaya.<\/p>\n Kar\u015f\u0131 duru\u015f sergileyen bir sanat\u00e7\u0131s\u0131n\u0131z. Ancak benim dikkatimi \u00e7eken ilk konu sizin ”yok olu\u015fa” ve ”t\u00fcketilmeye” kar\u015f\u0131 bir ses y\u00fckseltmeniz. \u00d6rne\u011fin”b\/it pazar\u0131” \u015fiirinizde ”artemisi sat\u0131yorlard\u0131\/ d\u00fcn kar\u015f\u0131 sokakta” diyorsunuz. Bu konuya kar\u015f\u0131 sesinizin y\u00fcksek olmas\u0131n\u0131n nedenini anlat\u0131r m\u0131s\u0131n\u0131z?<\/strong><\/p>\n Yabanc\u0131la\u015fma ve yozla\u015fma, ili\u015fkilerin metala\u015fmas\u0131 d\u00fcnyan\u0131n yeni vebas\u0131. Burjuva k\u00fclt\u00fcr hegemonyas\u0131n\u0131n toplumlara dayatt\u0131\u011f\u0131 olgular\u2026 S\u0131\u011fl\u0131k gri bir t\u00fcl gibi \u00f6rtm\u00fc\u015f ger\u00e7e\u011fi. En b\u00fcy\u00fck a\u015fklar\u0131 toza buluyor, en hakl\u0131 kavgalar\u0131n \u00f6n\u00fcne soru i\u015faretleri y\u0131\u011f\u0131yor. Bu nedenle bu konuya dikkat \u00e7ekme gere\u011fi duydum. \u0130leti\u015fimin kanallar\u0131n\u0131 a\u00e7mak ,yabanc\u0131la\u015fmay\u0131 k\u0131rmak, insan\u0131 sahiplenip y\u00fcceltmek gerek.<\/p>\n Bir \u00f6rnek de son \u015fiirlerimden biriyle vermek istiyorum,t\u00f6re diye dayatt\u0131klar\u0131\u00a0 g\u00fc\u00e7 ve yabanc\u0131la\u015fma ad\u0131na: \u201cal g\u00f6t\u00fcr beni zeus’un da\u011f\u0131ndan\/ daha ka\u00e7 y\u0131l \u00fc\u015f\u00fcyecek ellerim\/ buralarda bahar dallar\u0131 hep \u00e7ocuk gelin\u2026\u201d<\/p>\n Kitapta Fiyortlar adl\u0131 b\u00f6l\u00fcmde dikkat \u00e7ekiyor. Bu b\u00f6l\u00fcmde kitaba baz\u0131 m\u0131sra d\u0131\u015f\u0131 \u015fiirsel metinlerinde dahil oldu\u011funu g\u00f6r\u00fcyoruz. Bu b\u00f6l\u00fcmdeki eserler neden ayr\u0131 bir kitap olarak \u00e7\u0131kmad\u0131, yak\u0131n zamanda bu metinleri ayr\u0131 bir kitap olarak okuyabilecek miyiz?<\/strong><\/p>\n \u00d6yle bir kitap var zaten. 2005’in Temmuz ay\u0131nda Daima Yay\u0131nc\u0131l\u0131k taraf\u0131ndan hayata ge\u00e7irildi. Saptad\u0131\u011f\u0131n gibi m\u0131sra d\u0131\u015f\u0131 \u015fiirler bunlar. 2018 y\u0131l\u0131nda Aysad Yay\u0131nlar\u0131 ikinci bask\u0131s\u0131n\u0131 yapt\u0131. Se\u00e7kiye ald\u0131\u011f\u0131m \u201cNihan\u201d da kendi \u00f6yk\u00fcm.<\/p>\n Kuzey denizlerinde dalgalar \u00e7ok h\u0131r\u00e7\u0131nd\u0131r.Ya\u015fam en sert dalgalar\u0131n\u0131 vurup bi\u00e7imlendirilmi\u015f bu insanlar\u0131. Yorulmas\u0131na yorulmu\u015flar ama denizin tad\u0131 tuzu g\u00fczelli\u011fi sinmi\u015f \u00fcstlerine. Sokulgan ve ma\u011frur, hem uza\u011f\u0131n\u0131zda en yak\u0131n\u0131n\u0131zda\u2026<\/p>\n Nihan’\u0131n son b\u00f6l\u00fcm\u00fcnden bir \u00f6rnek vermek istiyorum:<\/p>\n \u2018\u2019Serin serin soludu havay\u0131,ceplerindeki \u015fiirleri yoklad\u0131. Kont\u00f6rl\u00fc telefon kul\u00fcbesine girmek i\u00e7in caddeye y\u00f6neldi. Zor kararlar ald\u0131\u011f\u0131nda i\u00e7inde ku\u015f s\u00fcr\u00fcleri havalan\u0131r,kendine s\u0131\u011famazd\u0131\u2026Vurmak isterdi kendini g\u00f6klere,fundal\u0131klara\u2026\u2019\u2019\u0130mkans\u0131za kar\u015f\u0131 bir adal\u0131 olma hali, sonsuzluk duygusu\u2019\u2019 \u00f6ylesine ku\u015fatm\u0131\u015ft\u0131 ki onu, \u00fczerine h\u0131zla gelen kamyonu fark etmedi.<\/p>\n \u00c7\u0131\u011fl\u0131klar, siren sesleri birbirine kar\u0131\u015ft\u0131. Ceplerinden \u015fiirler sa\u00e7\u0131ld\u0131 yerdeki kan g\u00f6l\u00fcne, \u0131sland\u0131lar \u2026Bir bulut kanat \u00e7\u0131rpa \u00e7\u0131rpa u\u00e7uyordu da\u011f yollar\u0131nda\u2026 Deniz kokusu geliyordu \u00e7ok uzaklardan\u2026<\/p>\n \u00a0<\/strong><\/p>\n \u015eiirlerinizde h\u00fcz\u00fcn temas\u0131 dikkati \u00e7ekiyor ama y\u0131lg\u0131nl\u0131k yok. \u00d6rne\u011fin \u201c ta\u015fk\u0131\u015fla eskidi\/nata\u015fa yak\u0131lan kitaplarda kald\u0131\/ bu marsellaise bak\u0131\u015fl\u0131 \u00e7ocuk da \/o de\u011fil art\u0131k\u201d diyorsunuz.\u015eair ge\u00e7mi\u015fin yaras\u0131ndan kendini \u015fiirle kurtarabilir mi?<\/strong><\/p>\n Sevgili Mazlum her \u015fey bir tek yara ile a\u00e7\u0131klanamaz ki. \u00c7ocukluk travmalar\u0131 bug\u00fcn\u00fc d\u00fcnlere ba\u011flam\u0131\u015f ve hi\u00e7 b\u0131rakmayan ilmekler \u00f6rne\u011fin.\u015eiirdeki \u201cmarsellaise bak\u0131\u015fl\u0131 \u00e7ocuk\u201d da 70’li y\u0131llar\u0131n Muratlar\u0131, Sinanlar\u0131\u2026 Az \u00f6nce de\u011findi\u011fim gibi yabanc\u0131la\u015fma \u00f6yle a\u011f\u0131r ki g\u00f6zlerinde ayn\u0131 nehirler yok sanki. Ne cesaretleri eksildi ne de bilgileri. Ama eskisi kadar yak\u0131n de\u011filler bizlere, belki de ben \u00f6yle hissediyorum.<\/p>\n Ben y\u00fcre\u011fimin ate\u015f topu gibi tutu\u015ftu\u011fu g\u00fcnlerden birinde, birden bir suyun ba\u015f\u0131nda buldum kendimi. Her \u015fey vard\u0131 o denizde; anac\u0131klar\u0131n \u00e7\u0131\u011fl\u0131klar\u0131, \u00f6l\u00fc havariler, ka\u00e7ak yolcular, cezaevlerinden gelen mektuplar, a\u015fklar\u0131m\u0131z, sevin\u00e7lerimiz, yol \u00f6yk\u00fcleri, vars\u0131ll\u0131\u011f\u0131m\u0131z, yoksullu\u011fumuz, yaln\u0131zl\u0131\u011f\u0131m\u0131z, \u00e7o\u011fullu\u011fumuz\u2026<\/p>\n \u00d6nce deniz bir \u00e7\u0131\u011fl\u0131k att\u0131, sonra a\u00e7\u0131klara att\u0131 kendini Her \u015fey birbirine kar\u0131\u015farakd\u00f6n\u00fcp duruyordu\u2026\u015eafak s\u00f6k\u00fcyordu, bir \u015fiir b\u0131rakt\u0131 ayaklar\u0131ma;<\/p>\n \u201c\u0130\u00e7im \u0131s\u0131nd\u0131 birden\/ bir tiryaki nefesi \/duyabilmek seni\/ bir kalemde silinmi\u015fken mevsimlerim\/ g\u00f6r\u00fcnmez olmu\u015fken \/beynimde t\u00fcnellerin dibi yelkeni unutma yeter\/tutkunun r\u00fczgar\u0131 kendisi kan elmas ta\u00e7 yerine\/alevden sac se\u00e7enlerin i\u00e7inde zaten o g\u00fc\u00e7\/bonzai gibi\u2026\u201d<\/p>\n \u201cMistik\u201d adl\u0131 \u015fiirinizde Cengiz Aytmatov\u2019dan yapt\u0131\u011f\u0131n\u0131z bir al\u0131nt\u0131 dikkatimi \u00e7ekti. Aytmatov\u2019un sizin i\u00e7in ne ifade etti\u011fini sorabilir miyim?<\/strong><\/p>\n O y\u0131llar benim i\u00e7in \u00e7ok \u00f6nemliydi. Yal\u0131n dili, bilinci ve duyuncu ile\u2026Babam \u201cCemile\u201d ad\u0131yla bas\u0131lan bir \u00f6yk\u00fcs\u00fcn\u00fc getirmi\u015fti. Kolhozlar\u2019da boyveren bir a\u015fk\u0131n \u00f6yk\u00fcs\u00fcn\u00fc anlat\u0131yordu.\u0130nsan\u0131n do\u011faya kar\u015f\u0131 verdi\u011fi sava\u015f\u0131m\u0131, umudu\u2026<\/p>\n Sonra edebiyat \u00f6\u011fretmenim Cengiz Aytmatov\u2019un\u2018\u2019Beyaz Gemi\u2019\u2019 adl\u0131 kitab\u0131n\u0131 verdi bana. Soluksuz okuyordum onun \u00f6yk\u00fclerini\u2026<\/p>\n Biraz da bi\u00e7imsel y\u00f6n\u00fcne de\u011finmek istiyorum\u2018\u2019\u0130ncinmesin K\u0131y\u0131lar\u0131m\u0131z\u2019\u2019 adl\u0131 se\u00e7kideki \u015fiirlerinizin. Lirik, imgesel bir dille yaz\u0131lm\u0131\u015f \u015fiirler bunlar. \u0130mge savrulmalar\u0131na rastlanm\u0131yor.Bu yakla\u015f\u0131m\u0131n nedenini bize anlat\u0131r m\u0131s\u0131n\u0131z ?<\/strong><\/p>\n Lirizm benim tutkum. Toplumsal alt-\u00fcst olu\u015f d\u00f6nemlerinin lirizminde\u00a0 etkileyicilik buluyorum, \u201cal\u0131c\u0131 ku\u015fun g\u00f6lgesinde su i\u00e7en \u00fclke\/bu benim \u015fiirimse\/g\u00f6z bebeklerinde Mc.Carty\u2019nin sesi\/a\u011flar\u0131m gider\/\u00fcz\u00fclme bana g\u00fcven\/su ol, r\u00fczgar ol\/\u00e7\u00f6lde ya\u011fmur ku\u015fu ol\/ kanatlar\u0131 dizelere de\u011fen\/umudunu yitirme\/ bir toz tanesiyiz\/ biz y\u0131k\u0131lsak \u00e7\u00f6ker evren\u201d<\/em><\/p>\n \u0130mgesel anlat\u0131ma gelince: Bilim adamlar\u0131 kavramlarla, \u015fairler imgelerle d\u00fc\u015f\u00fcn\u00fcr \u00a0\u201c\u00d6z\u00fc f\u0131rt\u0131na olan \u015fiirde, her imge bir tufan yaratmal\u0131d\u0131r\u201d diyor Aragon, \u00e7\u0131k\u0131\u015f noktam bu. \u0130mge savunmalar\u0131n\u0131n olmamas\u0131 i\u00e7in \u00e7ok \u00e7aba sarf ediyorum. Nas\u0131l s\u00f6yledi\u011fimiz kadar, neyi s\u00f6yledi\u011fimiz de \u00f6nemli. Asl\u0131nda ikisi birbirini tamaml\u0131yor.<\/p>\n Yine son \u015fiirlerimden birinden bir \u00f6rnek vermek istiyorum; \u201ctozlu duyarl\u0131l\u0131klar da ar\u0131yorum \u015fimdi seni\/ elyazmas\u0131 kitaplarda\/ ayr\u0131l\u0131klardan ge\u00e7ilmiyory\u00fcz\u00fcn\u2026\u2019\u2019<\/em><\/p>\n Gizde\u015f ya\u015fant\u0131 \u015fiir \u00f6zelliklerinden de yararland\u0131m,herkes kendinden bir \u015feyler bulabiliyor onlarda.Yer yer mitolojik ve felsefi \u00f6geleri kulland\u0131m, derinlik katabilmek i\u00e7in ama \u015fiirin sonsuz bir aray\u0131\u015f oldu\u011funu da eklemeliyim; \u201ca\u011fr\u0131l\u0131 d\u00fc\u015ft\u00fc\u011f\u00fcn \u0131\u015f\u0131\u011f\u0131 yaral\u0131 g\u00fcnlerin \u00fczerine\/ bizi hat\u0131rla diye diye geldi \u00fc\u015f\u00fc\u015ft\u00fc ellerime pervaneler\/ama \u00f6yle evcil bir hikaye de\u011fil ki bu \/her ac\u0131 s\u0131\u011fm\u0131yor i\u015fte \u015fiire\u2026\u2019\u2019<\/em><\/p>\n Ve son s\u00f6z: \u201catlas ak\u0131\u015flar\u0131nda e\u011filip b\u00fck\u00fclen bir halay\u0131k gibi \/el etek \u00f6pmeye itecekse \u015fiir beni b\u0131rak sonsuz seferi kalay\u0131m ays\u0131z steplerde\u2026\u2019\u2019<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" \u015eair Ruhan Mavruk, son d\u00f6nemde toplumu en \u00e7ok etkileyen olgunun yabanc\u0131la\u015fma oldu\u011funu ifade ederek, \u015fiirlerinde bunun yaratt\u0131\u011f\u0131 sorunlara dikkat \u00e7ekmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 s\u00f6yledi. Ruhan<\/p>\n","protected":false},"author":1,"featured_media":2301,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2303","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel"],"_links":{"self":[{"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/posts\/2303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/comments?post=2303"}],"version-history":[{"count":1,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/posts\/2303\/revisions"}],"predecessor-version":[{"id":2304,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/posts\/2303\/revisions\/2304"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/media\/2301"}],"wp:attachment":[{"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/media?parent=2303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/categories?post=2303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/tags?post=2303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}