{"id":30421,"date":"2021-11-08T19:07:19","date_gmt":"2021-11-08T16:07:19","guid":{"rendered":"https:\/\/sozbizde.com\/?p=30421"},"modified":"2021-11-08T19:36:53","modified_gmt":"2021-11-08T16:36:53","slug":"30421","status":"publish","type":"post","link":"https:\/\/arsiv.sozbizde.com\/index.php\/2021\/11\/08\/30421\/","title":{"rendered":"Mavinin ve k\u0131rm\u0131z\u0131n\u0131n tonlar\u0131nda kad\u0131n\u0131 resmetmek"},"content":{"rendered":"<p><strong>Ramis SA\u011eLAM<\/strong><\/p>\n<p>Beyinle ellerin ahengi ile resmin olu\u015ftu\u011funu s\u00f6yleyen Nuran Tanr\u0131verdi, 42. Ki\u015fisel \u201cYa\u015famdaki Kad\u0131n\u201d resim sergisi \u0130zmir Karaca K\u00fclt\u00fcr Merkezi\u2019nde a\u00e7\u0131ld\u0131. Sergi salonunda ressam\u0131n sergide yer alan resimleri \u00fczerine konu\u015ftuk.<\/p>\n<p>Ulusal ve uluslararas\u0131 bir\u00e7ok sergi a\u00e7an Tanr\u0131verdi, mimarl\u0131kla birlikte, resim \u00e7al\u0131\u015fmalar\u0131n\u0131 uzun y\u0131llar bir arada s\u00fcrd\u00fcrd\u00fc. Mimarl\u0131k ve resim \u00e7al\u0131\u015fmalar\u0131n\u0131 \u00fc\u00e7 y\u0131l Stuttgart\u2019ta s\u00fcrd\u00fcren, \u0130zmirli sanat\u00e7\u0131n\u0131n \u015fimdiki dura\u011f\u0131, resime ba\u015flad\u0131\u011f\u0131 \u0130zmir oldu.<\/p>\n<p>1978 y\u0131l\u0131nda Ege \u00dcniversitesi Sanat, Tasar\u0131m ve Mimarl\u0131k Fak\u00fcltesi&#8217;nden mezun olan sanat\u00e7\u0131 Tanr\u0131verdi, farkl\u0131 konum ve k\u00fclt\u00fcrlerde de bizler gibi duyan, d\u00fc\u015f\u00fcnen, ya\u015fad\u0131\u011f\u0131 \u00fclkenin sorunlar\u0131na yabanc\u0131 kalmayan, sava\u015f veren insanlar\u0131n, sanat\u00e7\u0131lar\u0131n oldu\u011funu s\u00f6yleyerek, \u201cBu yolda kesinlikle yaln\u0131z de\u011filim\u201d dedi.<\/p>\n<p>M\u0130MAR RESSAM NAF\u0130 \u00c7\u0130L \u00d6RNEK OLMU\u015e<\/p>\n<p>Almanya\u2019da iki ayr\u0131 mimarl\u0131k b\u00fcrosunda \u00e7al\u0131\u015ft\u0131ktan sonra resime y\u00f6nelen Tanr\u0131verdi, \u00fcnl\u00fc Ressam-Mimar Nafi \u00c7il ile \u00e7al\u0131\u015fma f\u0131rsat\u0131n\u0131 yakalam\u0131\u015f. Onun \u00e7al\u0131\u015fmalar\u0131ndan \u00e7ok etkilendi\u011fini belirten Tanr\u0131verdi, \u201cBen de sizin gibi mimar ressam olmak istiyorum\u201d dedi\u011finde, \u00c7il\u2019de Tanr\u0131verdi\u2019ye, bu mayan\u0131n haz\u0131r oldu\u011funu belirtmesiyle sanattaki yolunu \u00e7izmi\u015f.<\/p>\n<p>Sanat\u00e7\u0131, 1974 y\u0131l\u0131nda \u0130zmir Resim Heykel M\u00fczesi\u2019nde a\u00e7t\u0131\u011f\u0131 ilk sergisinden sonra Ankara, \u0130stanbul ba\u015fata olmak \u00fczere sergiler a\u00e7maya devam etmi\u015f. Yurtd\u0131\u015f\u0131 ilk sergisini Stockholm\u2019de 1999 y\u0131l\u0131nda Uluslararas\u0131 Sanat Fuar\u0131\u2019nda a\u00e7an Tanr\u0131verdi, yurtd\u0131\u015f\u0131 resim sergilerini 2005 y\u0131l\u0131nda Moldova\u2019da, 2011 y\u0131l\u0131nda Nahcivan\u2019da, 2012 Bregenz ve 2013 y\u0131l\u0131nda Zurich\u2019de devam ettirmi\u015f.<\/p>\n<p>Nuran Tanr\u0131verdi tablolar\u0131n\u0131n \u00f6n\u00fcnde poz veriyor<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.evrensel.net\/images\/600\/upload\/dosya\/197628.jpg\" alt=\"Nuran Tanr\u0131verdi tablolar\u0131n\u0131n \u00f6n\u00fcnde poz veriyor \" \/><\/p>\n<p>Foto\u011fraf:Ramis Sa\u011flam\/Evrensel<\/p>\n<p>\u201cSANAT B\u0130R KURTARICI VE YOL G\u00d6STER\u0130C\u0130D\u0130R<\/p>\n<p>42.\u00a0 resim sergisindeki tablolar\u0131nda kad\u0131n temas\u0131n\u0131 \u00f6n plana \u00e7\u0131karan Tanr\u0131verdi, tablolar\u0131nda mavinin tonlar\u0131yla kad\u0131n\u0131 bulu\u015ftururken, k\u0131rm\u0131z\u0131 tonla yapt\u0131\u011f\u0131 kad\u0131n tablosunda ise \u201cKad\u0131na \u015fiddeti\u201d resmetmi\u015f.<\/p>\n<p>Tanr\u0131verdi, ya\u015fad\u0131\u011f\u0131m\u0131z s\u00fcre i\u00e7inde hayata ve gelece\u011fe umutla bakabilmek i\u00e7in harika nedenlerden birinin de bu yolda yaln\u0131z olmad\u0131\u011f\u0131m\u0131z\u0131n fark\u0131na varmam\u0131z oldu\u011funu vurguluyor. H\u0131zla d\u00f6nen t\u00fcketim \u00e7arklar\u0131na de\u011finen Tanr\u0131verdi, \u201c\u00c7a\u011fda\u015f, modern ya\u015fam\u0131n insanlar\u0131 getirdi\u011fi nokta da sanat bir kurtar\u0131c\u0131 ve yol g\u00f6sterici gibidir\u201d dedi.<\/p>\n<p>SANATIN YA\u015eAMI D\u00d6N\u00dc\u015eT\u00dcRMES\u0130<\/p>\n<p>\u00c7al\u0131\u015fmalar\u0131n\u0131 bir varl\u0131\u011f\u0131n izledi\u011fi do\u011fay\u0131, insan\u0131, objeyi belli bir duyarl\u0131l\u0131k i\u00e7inde de\u011fi\u015fime u\u011frat\u0131p yeni forma d\u00f6n\u00fc\u015ft\u00fcrme yolculu\u011funun olmazsa olmaz\u0131 olarak g\u00f6r\u00fcyor Tanr\u0131verdi. Bu yolculu\u011fu g\u00f6ky\u00fcz\u00fcnden d\u00fc\u015fen bir ya\u011fmur damlas\u0131n\u0131n istiridyeyi \u201cinci\u201d tanesine d\u00f6n\u00fc\u015ft\u00fcrmesine benzetiyor.<\/p>\n<p>Bu yolculuk tablolalar\u0131na d\u00fc\u015fsel bir d\u00fcnyan\u0131n i\u00e7inde renk, leke, dokuyu \u00f6n plana \u00e7\u0131karan plastik endi\u015felerin yan\u0131 s\u0131ra insanla ileti\u015fim kuran anlat\u0131ma d\u00f6n\u00fc\u015fm\u00fc\u015f. Sanat\u00e7\u0131, k\u0131sa ya\u015fam \u00f6yk\u00fclerinde, \u201csanat\u0131n\u201d se\u00e7ilecek en anlaml\u0131 yol ve var olma nedeni oldu\u011funu s\u00f6yl\u00fcyor.<\/p>\n<p>Sanat\u00e7\u0131n\u0131n sergisi 13 Kas\u0131m tarihine kadar Karaca K\u00fclt\u00fcr Merkezi\u2019nde sanat severlerle bulu\u015fmaya devam edecek.<\/p>\n<p>KAYNAK:\u00a0 <a href=\"https:\/\/www.evrensel.net\/haber\/447117\/mavinin-ve-kirmizinin-tonlarinda-kadini-resmetmek\">https:\/\/www.evrensel.net\/haber\/447117\/mavinin-ve-kirmizinin-tonlarinda-kadini-resmetmek<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ramis SA\u011eLAM Beyinle ellerin ahengi ile resmin olu\u015ftu\u011funu s\u00f6yleyen Nuran Tanr\u0131verdi, 42. Ki\u015fisel \u201cYa\u015famdaki Kad\u0131n\u201d resim sergisi \u0130zmir Karaca K\u00fclt\u00fcr Merkezi\u2019nde a\u00e7\u0131ld\u0131. Sergi salonunda<\/p>\n","protected":false},"author":1,"featured_media":30423,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-30421","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel"],"_links":{"self":[{"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/posts\/30421","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/comments?post=30421"}],"version-history":[{"count":4,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/posts\/30421\/revisions"}],"predecessor-version":[{"id":30426,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/posts\/30421\/revisions\/30426"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/media\/30423"}],"wp:attachment":[{"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/media?parent=30421"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/categories?post=30421"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/tags?post=30421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}