{"id":44639,"date":"2022-07-24T00:40:07","date_gmt":"2022-07-23T21:40:07","guid":{"rendered":"https:\/\/sozbizde.com\/?p=44639"},"modified":"2022-07-24T00:40:35","modified_gmt":"2022-07-23T21:40:35","slug":"44639","status":"publish","type":"post","link":"https:\/\/arsiv.sozbizde.com\/index.php\/2022\/07\/24\/44639\/","title":{"rendered":"\u00d6L\u00dcMS\u00dcZLE\u015eEN DA\u011eCILAR"},"content":{"rendered":"

\u201cG\u00fcn do\u011fdu, hep uyand\u0131k, siperlere dayand\u0131k.<\/em><\/strong><\/span><\/p>\n

Ba\u011f\u0131ms\u0131zl\u0131k u\u011fruna da Ba\u011f\u0131ms\u0131zl\u0131k u\u011fruna da<\/em><\/strong> al kanlara boyand\u0131k\u2026\u201d<\/em><\/strong>\u00a0<\/em><\/strong><\/span><\/p>\n

\"\"<\/span><\/p>\n

\u201cDa\u011fc\u0131lar\u201d THKO\u2019yu konu alan bir Kitab\u0131n ad\u0131d\u0131r. Bu s\u00f6yle\u015fi kitab\u0131n\u0131 T\u00fcrkiye’nin yak\u0131n tarihi, politikas\u0131 ve pop\u00fcler k\u00fclt\u00fcr konular\u0131nda haz\u0131rlad\u0131\u011f\u0131 belgeselleri ile tan\u0131nm\u0131\u015f bir belgesel yap\u0131mc\u0131s\u0131 ve bir d\u00f6nem Cumhuriyet Gazetesi\u2019nin genel yay\u0131n y\u00f6netmeni olan \u00a0Ayr\u0131ca \u00a0Oslo Bar\u0131\u015f Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc\u00a0taraf\u0131ndan a\u00e7\u0131klanan 2017\u00a0Nobel Bar\u0131\u015f \u00d6d\u00fcl\u00fc\u00a0adaylar\u0131 aras\u0131nda \u00fc\u00e7\u00fcnc\u00fc s\u0131rada yer alan\u00a0 Can D\u00fcndar\u2019\u0131n haz\u0131rlam\u0131\u015f. .<\/span><\/p>\n

Bu eser i\u00e7in Can D\u00fcndar 1968\u2019i, THKO\u2019yu konu alan bu eser tamam\u0131yla o d\u00f6nem\u00a0\u00a0 THKO\u2019nun olu\u015fum kadrosu ve yarg\u0131lanan kadro i\u00e7inde yer alan Atila Keskin ile yapt\u0131\u011f\u0131 bir s\u00f6yle\u015fiyi kaps\u0131yor.<\/span><\/p>\n

Olduk\u00e7a \u00f6nemli bir eser. 1950 sonras\u0131 T\u00fcrkiye\u2019deki siyasi geli\u015fmelere olduk\u00e7a a\u00e7\u0131k geni\u015f bir pencere a\u00e7\u0131yor. \u00d6zellikle T\u00fcrkiye\u2019deki Y\u00fcksekokullardaki gen\u00e7li\u011fin ve siyasi sosyalist partilerin ve i\u015f\u00e7i sendikalar\u0131n\u0131n d\u00fcnyada geli\u015fen 68 ku\u015fa\u011f\u0131na bak\u0131\u015f\u0131n\u0131 ve yakla\u015f\u0131m\u0131n\u0131 sade, anla\u015f\u0131l\u0131r bir dille \u00f6zetlemi\u015f. H\u00fcseyin \u0130nan, Sinan Cemgil ve Yusuf Aslan\u0131n giri\u015fimi ile THKO\u2019nun nas\u0131l ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 ve daha sonra Deniz Gezmi\u015f, Cihan Alptekin ve di\u011fer arkada\u015flar\u0131n\u0131n kat\u0131l\u0131m\u0131 ile nas\u0131l geli\u015fti\u011fini Can D\u00fcndar Atila Keskine soruyor. O tarihte Ortado\u011fu Teknik \u00dcniversitesinin son s\u0131n\u0131f\u0131nda \u00f6\u011frenci olan Atila Keskin H\u00fcseyin ve Sinan Cemgil\u2019e en yak\u0131n olan bir d\u00f6rd\u00fcnc\u00fc ki\u015fi olarak kat\u0131l\u0131\u015f\u0131n\u0131 ve Deniz Gezmi\u015f, H\u00fcseyin \u0130nan ve Yusuf Aslan\u0131n idam edildi\u011fi g\u00fcne kadar ya\u015fananlar\u0131, eylemleri, arkada\u015fl\u0131klar\u0131, \u00e7ekilen zorluklar\u0131 abartmadan, kendisini \u00f6ne \u00e7\u0131kartmadan inan\u0131l\u0131r, anla\u015f\u0131l\u0131r sade bir dille Can D\u00fcndar\u2019a aktar\u0131yor.<\/span><\/p>\n

Halk\u0131na \u00fclkesine kendi ya\u015famlar\u0131n\u0131 adayan bu devrimcilerin birbirlerine ve onurlar\u0131na da sayg\u0131da kusur edilmedi\u011fini ortaya koyan bir belge niteli\u011findedir bu eser. Sadece Mahkemedeki Savunmalar\u0131 de\u011fil, yak\u0131nlar\u0131 ile \u0130li\u015fkiler konusundaki duru\u015flar\u0131, kar\u015f\u0131l\u0131kl\u0131 inan\u00e7 ve g\u00fcvenleri sadece i\u00e7indeki halk\u0131, devrimci, demokrat ayd\u0131nlar\u0131 etkilemekle kalm\u0131yor. Devrimci duru\u015flar\u0131 \u00fclke d\u0131\u015f\u0131na da ak\u0131yor.\u00a0 \u201cD\u0131\u015f \u00fclkelerde de idamlar\u0131 durdurmak i\u00e7in devrimciler ve ayd\u0131nlar yo\u011fun \u00e7aba g\u00f6steriyor. Uluslararas\u0131 Af \u00d6rg\u00fct\u00fc. Ba\u015fbakan Demirel\u2019e infazlar\u0131 durdurma \u00e7a\u011fr\u0131s\u0131 yap\u0131yor, Pablo Picasso\u2019dan, Louis Aragon\u2019dan, Neruda\u2019dan, Samuel Beckettt\u2019e d\u00fcnya ayd\u0131nlar\u0131 imza veriyorlard\u0131. Bu s\u00f6yle\u015fide yer alan bir paragrafta \u0130damdan d\u00f6nenlerden Mustafa Yal\u00e7\u0131ner\u2019in \u015fu de\u011ferlendirmesi THKO militanlar\u0131n\u0131n inan\u0131lmaz kararl\u0131l\u0131\u011f\u0131n\u0131 ve birbirine olan ba\u011fl\u0131l\u0131\u011f\u0131n\u0131n yeterli kan\u0131t\u0131 olsa gerek: \u201c18 idam cezas\u0131nda 15 bozulunca biz kendimizi oyunun d\u0131\u015f\u0131nda kalm\u0131\u015f gibi his ettik. O an bizim i\u00e7in idama gitmek daha kolayd\u0131. Zor olan d\u0131\u015farda kalmakt\u0131.\u201d<\/span><\/p>\n

THKO\u2019lu Devrimciler yarg\u0131lama s\u00fcrecinde gerek karakolda gerekse mahkemelerde hep yarg\u0131 makam\u0131nda olanlarla dalga ge\u00e7mi\u015fler. O devrimciler o mahkeme salonlar\u0131nda yarg\u0131 makam\u0131nda oturanlar\u0131 \u00fclkeye ihanet eden h\u00e2kim s\u0131n\u0131fa hizmet etmekle yarg\u0131lamay\u0131 hedeflediler ve ba\u015fard\u0131lar.<\/span><\/p>\n

Deniz ile Yusuf idamlar\u0131ndan on g\u00fcn \u00f6nce bile kurduklar\u0131 bir oyunla Deniz gecenin ortas\u0131nda Ceza Evi M\u00fcd\u00fcr\u00fcn\u00fcn odas\u0131na al\u0131n\u0131yor, ona \u00e7ay ve filtreli sigara ikram ediliyor, O kurdu\u011fu oyunla Askeri Ceza Evi\u2019nin m\u00fcd\u00fcr\u00fc olan bir general\u2019e bir gol atarak d\u00f6n\u00fcyor.\u00a0 Nas\u0131l oldu\u011funu okuyunca insan hep g\u00fcl\u00fcyor hem de d\u00fc\u015f\u00fcnerek bir devrimci \u00f6nderin karakterinden \u00e7ok \u015fey \u00f6\u011freniyor.<\/span><\/p>\n

Kitab\u0131n orta sayfalar\u0131nda yer alan bu \u00f6nemli paragraf\u0131 yay\u0131nc\u0131 arka kapa\u011fa alm\u0131\u015f:<\/span><\/p>\n

\u201cOnlara \u201cDa\u011fc\u0131lar \u201cdenirdi. Okullar\u0131n\u0131n en iyisiydiler. \u0130steseler \u0131\u015f\u0131lt\u0131l\u0131 bir kariyer yolunda y\u00fcr\u00fcyebilirlerdi. Onlar imkans\u0131z\u0131 istedi, bir \u00fctopyan\u0131n pe\u015finden da\u011f yolunu se\u00e7tiler. Devlere kafa tuttular, bedelini \u00e7ok a\u011f\u0131r \u00f6dediler. Ama duru\u015fmalara girerken att\u0131klar\u0131 slogan\u0131 gelecek nesillerin kula\u011f\u0131na \u00fcfledikleri \u00e7\u0131\u011fl\u0131k hala ya\u015f\u0131yor…\u201d<\/span><\/p>\n

Ben THKO\u2019da Deniz Gezmi\u015f ve Sinan Cemgil kadrosunda olanlar ve Mahir \u00c7ayan\u0131n kadrosunda olanlarla Ni\u011fde cezaevinde ayn\u0131 ko\u011fu\u015fu b\u00f6l\u00fc\u015ft\u00fcm. B\u00fct\u00fcn ya\u015fananlar\u0131 geli\u015fmeleri orada bu kadrolar i\u00e7inde yer alanlardan defalarca dinledim. Onlar\u0131n benim yaz\u0131n insan\u0131 olmamda b\u00fcy\u00fck bir etkisi oldu. Atila Keskin s\u00f6yle\u015fi yaparken kendi ya\u015fad\u0131klar\u0131ndan yolla \u00e7\u0131karak belki eksik anlatm\u0131\u015ft\u0131r. Ancak abartmadan, sa\u011fa sola d\u00f6kmeden ger\u00e7ekleri anlatm\u0131\u015f. Bu nedenle Can D\u00fcndar ve Atila keskine 1968 ku\u015fa\u011f\u0131n\u0131n direni\u015fini bu kadar sade bir anlat\u0131mla bize ula\u015ft\u0131rd\u0131klar\u0131 i\u00e7in de y\u00fcrekten te\u015fekk\u00fcr ediyorum.<\/span><\/p>\n

Deniz Gezmi\u015f, Sinan Cemgil ile Arkada\u015flar\u0131n\u0131n, Mahir \u00c7ayan ile Arkada\u015flar\u0131n\u0131n devrimci, beklentisiz dayan\u0131\u015fmalar\u0131n ger\u00e7ek kayna\u011f\u0131nda \u00f6\u011frenmek isteyen, kimi zaman olduk\u00e7a \u00fcz\u00fcc\u00fc kimi zaman ne\u015fe dolu ancak her zaman devrimci bir tutum konusunda \u00f6\u011fretici olan bu eser mutlaka okunmal\u0131d\u0131r.<\/span><\/p>\n

 <\/p>\n

23.07.2022<\/span><\/p>\n

Molla Demirel<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cG\u00fcn do\u011fdu, hep uyand\u0131k, siperlere dayand\u0131k. Ba\u011f\u0131ms\u0131zl\u0131k u\u011fruna da Ba\u011f\u0131ms\u0131zl\u0131k u\u011fruna da al kanlara boyand\u0131k\u2026\u201d\u00a0 \u201cDa\u011fc\u0131lar\u201d THKO\u2019yu konu alan bir Kitab\u0131n ad\u0131d\u0131r. Bu s\u00f6yle\u015fi<\/p>\n","protected":false},"author":1,"featured_media":43369,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1356,14],"tags":[],"class_list":["post-44639","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-molla-demirel","category-yazilar"],"_links":{"self":[{"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/posts\/44639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/comments?post=44639"}],"version-history":[{"count":2,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/posts\/44639\/revisions"}],"predecessor-version":[{"id":44642,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/posts\/44639\/revisions\/44642"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/media\/43369"}],"wp:attachment":[{"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/media?parent=44639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/categories?post=44639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arsiv.sozbizde.com\/index.php\/wp-json\/wp\/v2\/tags?post=44639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}